New Documentaries in Latin America
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With episodes in In addition to being fundamental cultural productions for considering the place of Jews in Latin America, the documentaries contribute to current critical understandings of the connections between politics, collective memory, and documentary production. An emphasis on family and communities pervades each of the three films, and it unifies them as a chronicle of Jewish life.
Tribeca Film Institute
Despite the fact that the latter two are not focused on one family in particular, both repeatedly refer to the tight-knit communities of Jews within Barrio Reus and Curitiba as de facto families. A common concern with the patterns of political participation that characterized Jewish life in Russian and Eastern Europe before immigration to South America unifies these three documentaries. The Russian Revolution in particular is shown to have had a lasting effect on Jewish immigrants to Latin America.
At the same time, however, these documentaries of Jewish life in Latin America also show that the Latin American political climate presented unique challenges to Jewish communities, as we see that Jewish Latin American life was permeated with political preoccupations that ranged from the global to the local.
In this way, Jewish immigrants to Latin America became central figures in the politics of their cities and nations, and Latin America as a whole. These recent films show that Jews participated in myriad ways in the political sphere, both on the right and on the left, resisting any broad categorization of Jewish political allegiances. It was a country under construction. Blaustein emerged as an important voice in the late s and early s within filmmaking and political culture.
HBO Latin America Originals
For many, he inaugurated a new generation of political filmmaking. In Hacer patria , he incorporates a more intimate focus on his own family members. Akin to his other documentaries, Hacer patria incorporates a great deal of historical footage, which is of varying quality, but the technical aspects of the scenes in which he interviews people or goes to archives and museums have a much less sophisticated feel to them than the interviews included in his other documentaries. Throughout the film, family memory and history are presented in relation to recent national history.
The family story is rife with the political struggles and controversies that characterized twentieth-century Argentina. The space that the director offers should be taken up as a point of departure and not only a static document.
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After all, a significant way to build a nation is through telling the stories that made it. The film follows Chamecki, currently living in New York, as she travels back to Curitiba to interview her family and community members. In Curitiba, the immigrants and their descendants interviewed in the film emphasize the roots that they planted almost immediately after arriving. Interviewees mention their experiences with Integralism, a quasi-Fascist movement in s Brazil that favored nationalism and espoused anti-Semitic stances.
Moreover, the film highlights the establishment of the Sociedade Cultural Israelita Brasileira, which one interviewee describes as capturing an issue that was happening to every Jewish exile: the tension in the s and s between Communism and Zionism. The film ends with the inauguration of the Holocaust Museum in Curitiba, attended by then president Dilma Rousseff. As Jewish Brazilians, they have striven for inclusion and have also participated actively in the political life of the country where they have established communities. Almost a century later, most Jews have now moved out of this neighborhood, many of them to the Pocitos neighborhood on the beach in Montevideo.
They recall the smell of typical Jewish foods in the neighborhood and playing together in the streets. But we were all Jews.