We, the People of Europe?: Reflections on Transnational Citizenship (Translation/Transnation)
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Roy Grundmann, film professor and author, gives aninteresting read of the final scene.
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However, Haneke seems more concernedabout the present state of affairs in European nations. According to Silverman, the society cannot accept responsibility forpast events and the only way to break down the walls of indifference is to somehowinfiltrate the society. Repressionof national traumas and acts which governments are ashamed of is a universalphenomena and Haneke uses France as a mirror for which to view all of Europe,especially countries that were former colonizers.
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The socialturmoil stemming from broken promises of multiculturalism and inclusion in Westernsocieties that ultimately react negatively towards foreigners. Instead, Haneke invites his audience to become resigned to its shame, discomfort, and melancholia. Gilroy However, Haneke does offer his audience more than just shame. Haneke explores spectatorial guilt in the way of characteridentification and an internal sense of mise en abyme.
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Georges is a well-educated andsuccessful man, a connoisseur of art and knowledge. The viewer is able to connect withhim at first because he stands for all the things that the average Haneke viewer embraces. Therefore, Georges becomes the mirror through which the viewers can see themselves. Haneke calls out theviewer and the entire society of former colonizing states to see what they have doneand how their lofty goals of multiculturalism and inclusion were in the end nothing butempty promises.
Like Georges, those who laud multiculturalism in one moment, locktheir doors and hide behind gates the next. Frantz Fanon sought in someway to in some way unravel the web of violence andvictimization inherent in the colonialist system. Through studying the colonizer, one could expose the fears that they had towards theuntamed Other and how the system of colonization alienated both sides. Hanekes does Through his film, Haneke does more than launch an attack againstthe failures of European government and the society to live up to the expectations thatpost-colonialism laid out.
Haneke is able to get the audience to look at themselves andhow they fit into this scheme. Bibliography:Austin, Guy. Balibar, Etienne. We, the People of Europe? New York: Princeton UP, Caputi, Mary. Gilroy, Paul. Grundmann, Roy. Kamalzadeh, Dominik. Ogrodnik, Benjamin. Sharrett, Christopher. XXXI, No. Shohat, Ella and Robert Stam. Unthinking Eurocentrism: Multiculturalism and theMedia.
New York: Routledge, Silverman, Max.
We, the People of Europe? Reflections on Transnational Citizenship
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